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And it’s apology time: A while back, I tagged Joe Rogan as a Tony Danza wannabe; Rogan’s smart work this season as dim fix-it guy Joe made my remarks seem churlish.
5 THE SIMPSONS (Fox) Unappreciated now because the media celebrated Bart-mania years ago, The Simpsons continues to be the most reliable satire on network TV.
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1 NYPD BLUE [PROGRAM of the YEAR] (ABC) TV’s most varied, humane, and exciting drama took more chances this year than a hit show needs to, and became a deeper, richer series for the effort.
2 THE X-FILES (Fox) The concept most alien to this show — displays of simple human emotions — is what kept The X-Files fresh and intriguing this season.
David Duchovny’s Fox Mulder and Gillian Anderson’s Dana Scully now give off a united glow that says to the world, ”We’re right, you’re wrong, back off.” There’s no denying that The X-Files is more uneven these days (that episode where Mulder was remembering past lives was more heartburn commercial than X-File), but this is one series in which such erratic-ness is less a sign of creative exhaustion than of an admirably heedless faith in flaky flukiness.
6 FRIENDS (NBC) Overexposure has led to a widespread underrating of this still-excellently written, hilariously performed show.3 THE LARRY SANDERS SHOW (HBO) Garry Shandling is TV’s purest artist, quietly yet aggressively laboring over an unmatched portrait of show-business egotism.Very often, Larry Sanders is so funny I have to choke back a guffaw lest I miss the next punchline.I laughed at the episode and at the protests — what, from writer-cocreator Larry David you expected warmth?So far, the David-less new season has been uneven but agreeably wacky.